Art
project "Digital Mutations"
It is a collection of simulated relatives, which has been growing continually
since 1996. A series of images, represented by real individuals from the
past, are transferred and transformed throughout time and analysed by human
faculty and machine capability.
Artificial models of personality are leading a never-ending battle between
Feelings and Technology, Beauty and Ugliness. This can be read as a metaphor,
or as a fact.
Concept
"Digital Mutations" is an exploration, an appeal to get the feel
of memory amputation and revival via memorial photography.
Two analysts of digital art set up this examination intending to influence
the viewer by the object itself. It's an attempt to create a new point of
perception not by objective seeing but by subconscious cognition. Through
the relationship of images and patterns, this collection invites us to question
the truth of human identity.
Claudia
Probst
Michael Shpaizman
The
history of Digital Mutations:
Publication on vinyl EP
Marc Marcovic - Ein Lied with
remixes from Christian Kleine, Si-Cut.db,
T. Raumschmiere
und Rechenzentrum
Fein
Raus http://www.feinraus.org
Marc Marcovic called Marc Weiser from Rechenzentrum. Amongst these electronic
audio-visuell project he is occupied with the language and the transport
of information beyond the linguistic meaning.
Sometimes
the heros of his stories are shortlived,
one going into another, sometimes one of them staying the
whole night, carried away in the recollection of the audience. Marc Marcovic
and the hero are interpreted by the audience as one person. In mind they
identify the hero with Marc Marcovic, expound his stories while Marc Marcovic
interpret the narrater.
Exhibition on http://www.pixelmuseum.com
Publication in the book from George Whale & Naren Barfield
"Digital printmaking", A&C Black London 2002
Groupexhibition in Maou - Maou Gallery Berlin, december '01
The PODGallery (New York City, USA) offering you a showcase with
"Digital Mutations". Since March 2001 pictures are on sale.
http://www.podgallery.com
bit by bit digital
art exhibition HONORABLE MENTION in category "Still image",
October 15 - November 19, 2000
http://www.bitbybitdigital.org
Exhibition "AVE" fashion-fair,
Berlin sept. '99
Internetpresentation
http://www.blondmag.com
Exhibition in "Juliette's Literatursalon",
Berlin april '98 - june '98 Groupexhibition
"Farbfoto Center Berlin", february '98
Videoinstallation
"Speed", Berlin 12'97
Presentation
des "Pixel 2. Digital Imaging Award" Kodak, MacWorld 1997 in Duesseldorf
Publication in "Designers Digest"
Nr.63 "Illustration made in Germany" dezember '97
Groupexhibition "Spielwiese im
o.z.i.p." Pratergarten in Berlin, august '97
Groupexhibition with BFF and KODAK
"PIXEL 2. Digital Imaging Award 97" in july '97
Publication
in "PAGE" 6'97
Publication
in "Screen" 4'97
Publication "Typografica
2/Cybertype""
Publication in "shift!" issue
0/96, artmagazine in Berlin
Publication
in MacMagazin 11/96 about the winner of Multimedia Competition MacWorld
'96 Frankfurt and publication on CD Rom.
MacWorld 1996 Frankfurt 2. prize
animation & presentation award, B&K Gruppe Wuppertal, Formac and Adobe Systems
Cebit 1996 Hannover 3. prize graphic
competition, Lasermaster Europe Ltd.
Cebit 1996 Hannover 6. prize Fractal
Design Graphic competition
April 1995 5.prize in graphic
competition, MacMagazin
Comments
Vladimir Guzman
A Challenge to the Imagination
On "Digital Mutations"
by Claudia Probst and Michael Shpaizman
Upon seeing Claudia Probst and Michael Shpaizman's "Digital Mutations",
one's spontaneous first though is, "How would that have been with me?"
Just the thought of the possibility of being deformed gives rise to a certain
fear - an anxiety about one's own identity and genetic uniqueness, I would
say. This primal fear, an instinct which can be described and explained
in manifold intellectual-analytic or conceptual ways, acts, in my view,
as a "negative catharsis", as an awakening in the midst of the
"no-mercy reality" of the Final Judgment.
The viewer might ask, "How secure and unique is our individual self,
anyway?" - by this is meant the person in and of itself, the Adamic
prototype, even the Creator himself. "What will remain of us? How will
our descendants understand us (if at all)?"
One senses that there is a dark, fully opaque force which mercilessly relativizes
our own suggestive aura, thereby blighting also the whole vital energy that
constitutes it historically.
One cannot escape the profound responses provoked by "Digital Mutations",
however one may judge it on an ethical-aesthetic level. The viewer experiences
a very particular kind of feeling in his gut while his/her attention is
focused on the creatures and creations of Michael and Claudia. All of them
are, beyond all doubt, alien beings - something which ontologically doesn't
belong to humanity ... or does it?
La dance macabre - is this not the fitting notion for these hideous mutants?
In this sense there may be a philosophical reflection of Jeffry Deitsch's
post-human art concept here, wherein the artist is to shape the human body
genetically/ biotechnologically, in accordance with models of beauty (classical
statues, supermodels, etc.).
The design of "Digital Mutations" is rough, arouses anxiety. At
the same time, though, it is sweet, familiar, intimate, and colorful.
"Digital Mutations" leaves a big question mark, compels us toward
a more intensive reflection, toward a more fundamental response to arbitrariness
as a principle of creation. Or is that just the challenge of art?
Links
http://www.alessandrobavari.com
http://www.levitated.net
http://www.markryden.com
http://www.zonezero.com Joel-Peter Witkin
http://www.daguerre.org
http://www.pixelmuseum.com
http://1prise2tetes.free.fr/imaginaires/
http://www.redberger.com
http://www.deathtothepixels.com
http://www.brittle-bones.com
http://www.digitalsouls.com
http://www.photomontage.com
http://www.kimstringfellow.com
http://www.hanuman.co.jp/monkeys
http://www.vimudeap.de
http://www.tigerlily.nl
http://www.yenz.com
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